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dc.creatorPeláz-López, J.V. (José-Vidal)-
dc.date.accessioned2012-12-05T08:50:39Z-
dc.date.available2012-12-05T08:50:39Z-
dc.date.issued2012-
dc.identifier.citationPELAZ LÓPEZ, J.., ""Filming History: Billy Wilder and the Cold War"" en:Comunicación y Sociedad, vol. XXV, n. 1, 2012, pp.113-136.es_ES
dc.identifier.issn2174-0895-
dc.identifier.urihttps://hdl.handle.net/10171/27362-
dc.description.abstractThis article reflects upon the vision of history contained in the work of cinematographer Billy Wilder. From this angle his entire filmography will be reviewed, focussing specifically on the interpretation of the Cold War in One, Two, Three, (1961). Using Berlin as a backdrop, Wilder ridicules the confrontation between East and West offering a sharp, intelligent perspective on the international relations of the era. Panned by audiences at the time –the premiere coinciding with the raising of the Berlin Wall– its devastating vision of communism proved prophetic in light of the events of 1989.es_ES
dc.language.isoenges_ES
dc.publisherServicio de Publicaciones de la Universidad de Navarraes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectCold Wares_ES
dc.subjectFilmes_ES
dc.subjectBilly Wilderes_ES
dc.subjectHistoryes_ES
dc.titleFilming History: Billy Wilder and the Cold Wares_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.relation.publisherversionhttps://revistas.unav.edu/index.php/communication-and-societyes_ES
dc.type.driverinfo:eu-repo/semantics/articlees_ES
dc.identifier.doi10.15581/003.25.36178es_ES

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