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dc.creatorArellano-Ayuso, I. (Ignacio)-
dc.date.accessioned2013-10-21T07:54:28Z-
dc.date.available2013-10-21T07:54:28Z-
dc.date.issued2012-
dc.identifier.citationArellano, Ignacio, «La comedia historial de Bances Candamo», en O. A. Sambrian, M. Insúa, A. Mihail (ed.), ‘La voz de Clío: imágenes del poder en la comedia histórica del Siglo de Oro’, Craiova, Editura Universitaria, 2012, pp. 102-117.es_ES
dc.identifier.isbn97860614046-5-
dc.identifier.urihttps://hdl.handle.net/10171/34239-
dc.description.abstractFor reading and understanding Golden Age drama, it is essential to keep in mind that literature and history are two different ways to approach reality. From Aristotle to Cascales or Pinciano, some authors have theorized about the prevalence of the first over the second. At this point, Bances Candamo divides comedy into two, depending on the content: history or love. Historical dramas have a deep didactic value, mainly aimed to teach the king (Carlos II) how to rule or/and glorify the monarchy, but always maintaining a sense of decorum. Some examples are ‘El Austria en Jerusalén’, ‘Duelos de Ingenio’ y ‘Fortuna´s’ loa or ‘La restauración de Buda’.es_ES
dc.language.isospaes_ES
dc.publisherEditura Universitariaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectMaterias Investigacion::Filología y Literatura::Literaturaes_ES
dc.subjectHistoryes_ES
dc.subjectBances Candamoes_ES
dc.subjectPoliticses_ES
dc.subjectCarlos IIes_ES
dc.subjectCourt poetes_ES
dc.subjectDidacticses_ES
dc.subjectComedyes_ES
dc.titleLa comedia historial de Bances Candamoes_ES
dc.typeinfo:eu-repo/semantics/bookPartes_ES
dc.type.driverinfo:eu-repo/semantics/bookPartes_ES

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