Registro completo de metadatos
Campo DC | Valor | Lengua/Idioma |
---|---|---|
dc.creator | Ferrer-Santos, U. (Urbano) | es_ES |
dc.date.accessioned | 2004-11-25T09:59:11Z | es_ES |
dc.date.accessioned | 2007-03-08T16:38:55Z | - |
dc.date.available | 2004-11-25T09:59:11Z | es_ES |
dc.date.available | 2007-03-08T16:38:55Z | - |
dc.date.issued | 1998 | es_ES |
dc.identifier.citation | Anuario Filosófico, 1998 (31), 843-869 | es_ES |
dc.identifier.issn | 0066-5215 | es_ES |
dc.identifier.uri | https://hdl.handle.net/10171/396 | - |
dc.description.abstract | In this paper I intend to classify the modes of temporality and to place History within the Sciences of Spirit according to Edith Stein’s thought. Its specific treatment refers temporality and History to lays of the person (body, psyche, spirit). While the passives associations of immanent time correspond to corporal and psychic levels of the person, the historical succession is made possible by the intentions which derive from the spirit. And thus as history consists of a unity not reducible to conscious intentions, so the person is also a unity not entirely transparent to itself. | es_ES |
dc.format.extent | 86528 bytes | es_ES |
dc.format.extent | 86528 bytes | - |
dc.format.extent | 91247 bytes | - |
dc.format.extent | 1892 bytes | - |
dc.format.mimetype | application/msword | es_ES |
dc.format.mimetype | application/msword | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | text/plain | - |
dc.language.iso | spa | es_ES |
dc.rights | info:eu-repo/semantics/openAccess | es_ES |
dc.subject | historia | es_ES |
dc.subject | temporalidad | es_ES |
dc.subject | trascendencia | es_ES |
dc.subject | corporalidad | es_ES |
dc.subject | persona | es_ES |
dc.subject | Psyche | es_ES |
dc.subject | espíritu | es_ES |
dc.title | Temporalidad e historia en E. Stein | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.identifier.doi | 10.15581/009.31.29604 | es_ES |
Ficheros en este ítem:
Estadísticas e impacto
Los ítems de Dadun están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.