Architectural photography, The Media and the Paradigm of Objectivity in the work of Oliver Hill

Vanden-Berghe, V. (Vanessa)

Registro completo de metadatos

Aparece en las colecciones:

Campo DC	Valor	Lengua/Idioma
dc.creator	Vanden-Berghe, V. (Vanessa)	-
dc.date.accessioned	2016-11-23T11:01:26Z	-
dc.date.available	2016-11-23T11:01:26Z	-
dc.date.issued	2016	-
dc.identifier.citation	Vnden-Berghe, V., (2016) ""Architectural photography, The Media and the Paradigm of Objectivity in the work of Oliver Hill"" En: Alcolea, R.A, Tárrago-Mingo, J., (eds.), en Congreso internacional: Inter photo arch ""Interacciones"", celebrado en Pamplona, los días 2 al 4 de Noviembre de 2016, (pp. 378-389)	es_ES
dc.identifier.isbn	978-848081-518-5	-
dc.identifier.uri	https://hdl.handle.net/10171/42354	-
dc.description.abstract	The interwar period in Britain saw a rapid increase in the dissemination of wellphotographed buildings and interiors in a variety of journals and magazines. Varied titles such as the Architectural Review, Country Life and The Queen all published seductive images of newly built architecture and its interiors. This period, as Robert Elwall pointed out, ‘saw the development of close collaborations between architects and their favoured photographers’1. Taking these relationships as a starting point, this paper aims to look more closely at the dissemination of the work of architects such as Oliver Hill (1887-1968) in the media of the time.	es_ES
dc.language.iso	eng	es_ES
dc.publisher	Servicio de Publicaciones Universidad de Navarra	es_ES
dc.rights	info:eu-repo/semantics/openAccess	es_ES
dc.subject	Mediation	es_ES
dc.subject	Visual communication	es_ES
dc.subject	Objectivity	es_ES
dc.subject	Commerce	es_ES
dc.subject	Interwar	es_ES
dc.subject	Magazines	es_ES
dc.subject	Oliver Hill	es_ES
dc.subject	Materias Investigacion::Arquitectura	es_ES
dc.title	Architectural photography, The Media and the Paradigm of Objectivity in the work of Oliver Hill	es_ES
dc.type	info:eu-repo/semantics/article	es_ES