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Dadun > Revistas y series UN > Jornadas, Congresos y Simposios > Inter photo arch: congreso internacional inter-fotografía y arquitectura > intersecciones / intersections >

The Space of the Photograph
Autor(es) : Alves-de-Oliveira, A. (Andreia)
Palabras clave : Materias Investigacion::Arquitectura
Photography
Representation
Space
Production of space
Office
Fecha incorporación: 2016
Editorial : Servicio de Publicaciones Universidad de Navarra
ISBN: 978-848081-521-5
Cita: Alves de Oliveira, A., (2016) "The Space of the Photograph" En: Alcolea, R.A, Tárrago-Mingo, J., (eds.), en Congreso internacional: Inter photo arch "Intersecciones", celebrado en Pamplona, los días 2 al 4 de Noviembre de 2016, (pp.12-23)
Resumen
This paper discusses critically the notions of ‘space’ and ‘representation’, both essential elements of the architectural photograph. The analysis is underpinned by the notion, first championed by the philosopher Henri Lefebvre, that space is produced and not merely found. It asks the question of what type of space do photographs produce when their subject is architecture, architectural photography being the genre par excellence concerned with the representation of space. The paper proposes to discuss this question in relation to the space of the office, arguing that this is a defining space of modernity and which is far from disappearing. Through the exam of photographs of offices by Ezra Stoller, Jacqueline Hassink and Lynne Cohen, the paper proposes a critique of the objective mode characteristic of architectural photography, offering a detailed analysis of the visual codes through which it produces its meanings and arguing that it is profoundly implicated in the production of corporate and, by extension, capitalist space.
Enlace permanente: http://hdl.handle.net/10171/42470
Aparece en las colecciones: intersecciones / intersections

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Fichero:  The Space of the Photograph.pdf
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Tamaño:  13,31 MB
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