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dc.creatorAlves-de-Oliveira, A. (Andreia)-
dc.date.accessioned2016-12-09T11:19:06Z-
dc.date.available2016-12-09T11:19:06Z-
dc.date.issued2016-
dc.identifier.citationAlves de Oliveira, A., (2016) ""The Space of the Photograph"" En: Alcolea, R.A, Tárrago-Mingo, J., (eds.), en Congreso internacional: Inter photo arch ""Intersecciones"", celebrado en Pamplona, los días 2 al 4 de Noviembre de 2016, (pp.12-23)es_ES
dc.identifier.isbn978-848081-521-5-
dc.identifier.urihttp://hdl.handle.net/10171/42470-
dc.description.abstractThis paper discusses critically the notions of ‘space’ and ‘representation’, both essential elements of the architectural photograph. The analysis is underpinned by the notion, first championed by the philosopher Henri Lefebvre, that space is produced and not merely found. It asks the question of what type of space do photographs produce when their subject is architecture, architectural photography being the genre par excellence concerned with the representation of space. The paper proposes to discuss this question in relation to the space of the office, arguing that this is a defining space of modernity and which is far from disappearing. Through the exam of photographs of offices by Ezra Stoller, Jacqueline Hassink and Lynne Cohen, the paper proposes a critique of the objective mode characteristic of architectural photography, offering a detailed analysis of the visual codes through which it produces its meanings and arguing that it is profoundly implicated in the production of corporate and, by extension, capitalist space.es_ES
dc.language.isoenges_ES
dc.publisherServicio de Publicaciones Universidad de Navarraes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectMaterias Investigacion::Arquitecturaes_ES
dc.subjectPhotographyes_ES
dc.subjectRepresentationes_ES
dc.subjectSpacees_ES
dc.subjectProduction of spacees_ES
dc.subjectOfficees_ES
dc.titleThe Space of the Photographes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES

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