Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Ellekilde-Bonde, I. (Inger) | - |
dc.date.accessioned | 2016-12-12T09:12:05Z | - |
dc.date.available | 2016-12-12T09:12:05Z | - |
dc.date.issued | 2016 | - |
dc.identifier.citation | Ellekilde-Bonde, I., (2016) ""Fracture visions. Urban and Architectural Representation in Keld Helmer-Petersen’s fragments of a city"" En: Alcolea, R.A, Tárrago-Mingo, J., (eds.), en Congreso internacional: Inter photo arch ""Intersecciones"", celebrado en Pamplona, los días 2 al 4 de Noviembre de 2016, (pp.46-55) | es_ES |
dc.identifier.isbn | 978-848081-521-5 | - |
dc.identifier.uri | https://hdl.handle.net/10171/42478 | - |
dc.description.abstract | In the post-war period a heterogeneous group of photographers articulate a new photographic approach to the city as motive in a photographic language that combines intense formalism with subjective vision. This paper analyses the photobook Fragments of a City published in 1960 by Danish photographer Keld Helmer-Petersen. The book is a pioneering example of this post-war tendency and yet it has not been analysed or presented academically before. In the paper I examine how the book forms a new mode of representation that balances between abstraction and realism and how this has an influence on both questions of representation and perception. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Servicio de Publicaciones Universidad de Navarra | es_ES |
dc.rights | info:eu-repo/semantics/openAccess | es_ES |
dc.subject | Materias Investigacion::Arquitectura | es_ES |
dc.subject | Post-war photography | es_ES |
dc.subject | Modernism | es_ES |
dc.subject | Representation | es_ES |
dc.subject | Abstraction | es_ES |
dc.subject | Urbanity | es_ES |
dc.title | Fracture visions. Urban and Architectural Representation in Keld Helmer-Petersen’s fragments of a city | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
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