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dc.creatorEllekilde-Bonde, I. (Inger)-
dc.date.accessioned2016-12-12T09:12:05Z-
dc.date.available2016-12-12T09:12:05Z-
dc.date.issued2016-
dc.identifier.citationEllekilde-Bonde, I., (2016) ""Fracture visions. Urban and Architectural Representation in Keld Helmer-Petersen’s fragments of a city"" En: Alcolea, R.A, Tárrago-Mingo, J., (eds.), en Congreso internacional: Inter photo arch ""Intersecciones"", celebrado en Pamplona, los días 2 al 4 de Noviembre de 2016, (pp.46-55)es_ES
dc.identifier.isbn978-848081-521-5-
dc.identifier.urihttp://hdl.handle.net/10171/42478-
dc.description.abstractIn the post-war period a heterogeneous group of photographers articulate a new photographic approach to the city as motive in a photographic language that combines intense formalism with subjective vision. This paper analyses the photobook Fragments of a City published in 1960 by Danish photographer Keld Helmer-Petersen. The book is a pioneering example of this post-war tendency and yet it has not been analysed or presented academically before. In the paper I examine how the book forms a new mode of representation that balances between abstraction and realism and how this has an influence on both questions of representation and perception.es_ES
dc.language.isoenges_ES
dc.publisherServicio de Publicaciones Universidad de Navarraes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectMaterias Investigacion::Arquitecturaes_ES
dc.subjectPost-war photographyes_ES
dc.subjectModernismes_ES
dc.subjectRepresentationes_ES
dc.subjectAbstractiones_ES
dc.subjectUrbanityes_ES
dc.titleFracture visions. Urban and Architectural Representation in Keld Helmer-Petersen’s fragments of a cityes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES

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