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dc.creatorBehler, E. (Ernst)es_ES
dc.date.accessioned2005-02-14T17:11:27Zes_ES
dc.date.accessioned2007-03-08T16:35:17Z-
dc.date.available2005-02-14T17:11:27Zes_ES
dc.date.available2007-03-08T16:35:17Z-
dc.date.issued1996es_ES
dc.identifier.citationAnuario Filosófico, 1996 (29), 21-39es_ES
dc.identifier.issn0066-5215es_ES
dc.identifier.urihttps://hdl.handle.net/10171/501-
dc.description.abstractWackenroder and the musical conception of early Romanticism.- The early romantic movement brings in a new general conception of art and the artist. Within this context, music is treated as a proper and independent form of art. This paper shows how a reflection on music is to be found expressed in the texts of Wackenroder, which is later to be carried on by other thinkers.es_ES
dc.format.extent65434 byteses_ES
dc.format.extent65434 bytes-
dc.format.extent45600 bytes-
dc.format.extent1892 bytes-
dc.format.mimetypeapplication/mswordes_ES
dc.format.mimetypeapplication/octet-stream-
dc.format.mimetypeapplication/pdf-
dc.format.mimetypetext/plain-
dc.language.isospaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.titleWackenroder y la concepción musical del primer romanticismoes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.identifier.doi10.15581/009.29.29786es_ES

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