Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.creator | García, C. (César) | es_ES |
| dc.date.accessioned | 2005-02-14T17:19:07Z | es_ES |
| dc.date.accessioned | 2007-03-08T16:35:16Z | - |
| dc.date.available | 2005-02-14T17:19:07Z | es_ES |
| dc.date.available | 2007-03-08T16:35:16Z | - |
| dc.date.issued | 1996 | es_ES |
| dc.identifier.citation | Anuario Filosófico, 1996 (29), 41-52 | es_ES |
| dc.identifier.issn | 0066-5215 | es_ES |
| dc.identifier.uri | https://hdl.handle.net/10171/502 | - |
| dc.description.abstract | The song of Diotima. Hölderlin and music.- Hölderlin's work Hyperion shows itself to be eminently musical. On the one hand, it is an exalted form of human communication (the song of Diotima). On the other hand, it is an integral part of the nature which it describes. This paper is devoted to a study of the function of music and the interpretation of its meaning. | es_ES |
| dc.format.extent | 43294 bytes | es_ES |
| dc.format.extent | 1892 bytes | - |
| dc.format.extent | 31311 bytes | - |
| dc.format.mimetype | application/msword | es_ES |
| dc.format.mimetype | text/plain | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | spa | es_ES |
| dc.rights | info:eu-repo/semantics/openAccess | es_ES |
| dc.title | El canto de Diotima: Hölderlin y la música | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.identifier.doi | 10.15581/009.29.29784 | es_ES |
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