La conciencia del espectador en la teoría musical de Schopenhauer
Issue Date: 
1996
ISSN: 
0066-5215
Citation: 
Anuario Filosófico, 1996 (29), 89-105
Abstract
The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits.

Files in This Item:
Thumbnail
File
5. LA CONCIENCIA DEL ESPECTADOR EN LA TEORÍA MUSICAL DE SCHOPENHAUER, MA ANTONIA LABRADA.pdf
Description
Size
2.06 MB
Format
Adobe PDF


Statistics and impact
0 citas en
0 citas en

Items in Dadun are protected by copyright, with all rights reserved, unless otherwise indicated.