Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.creator | Labrada, M.A. (María Antonia) | es_ES |
| dc.date.accessioned | 2005-02-14T17:38:21Z | es_ES |
| dc.date.accessioned | 2007-03-08T16:35:18Z | - |
| dc.date.available | 2005-02-14T17:38:21Z | es_ES |
| dc.date.available | 2007-03-08T16:35:18Z | - |
| dc.date.issued | 1996 | es_ES |
| dc.identifier.citation | Anuario Filosófico, 1996 (29), 89-105 | es_ES |
| dc.identifier.issn | 0066-5215 | es_ES |
| dc.identifier.uri | https://hdl.handle.net/10171/505 | - |
| dc.description.abstract | The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits. | es_ES |
| dc.format.extent | 56575 bytes | es_ES |
| dc.format.extent | 1892 bytes | - |
| dc.format.extent | 37754 bytes | - |
| dc.format.mimetype | application/msword | es_ES |
| dc.format.mimetype | text/plain | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | spa | es_ES |
| dc.rights | info:eu-repo/semantics/openAccess | es_ES |
| dc.rights | info:eu-repo/semantics/openAccess | es_ES |
| dc.title | La conciencia del espectador en la teoría musical de Schopenhauer | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.identifier.doi | 10.15581/009.29.29788 | es_ES |
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