Registro completo de metadatos
| Campo DC | Valor | Lengua/Idioma |
|---|---|---|
| dc.creator | Leyte, A. (Arturo) | es_ES |
| dc.date.accessioned | 2005-02-14T17:44:18Z | es_ES |
| dc.date.accessioned | 2007-03-08T16:35:15Z | - |
| dc.date.available | 2005-02-14T17:44:18Z | es_ES |
| dc.date.available | 2007-03-08T16:35:15Z | - |
| dc.date.issued | 1996 | es_ES |
| dc.identifier.citation | Anuario Filosófico, 1996 (29), 107-123 | es_ES |
| dc.identifier.issn | 0066-5215 | es_ES |
| dc.identifier.uri | https://hdl.handle.net/10171/506 | - |
| dc.description.abstract | Schelling and music.- Music is a theme which enables us to have more direct access to the philosophy of Schelling. This is because in the Romantic period it is typical to find the conceptual framework provided by affirming a unity between reason and sensibility, while thought of the modern period tends to split these two. Here music is dealt with on the basis of a study of the meaning of art in the System of transcendental idealism, and of the question of philosophy as a system of identity. | es_ES |
| dc.format.extent | 55448 bytes | es_ES |
| dc.format.extent | 1892 bytes | - |
| dc.format.extent | 38309 bytes | - |
| dc.format.mimetype | application/msword | es_ES |
| dc.format.mimetype | text/plain | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | spa | es_ES |
| dc.rights | info:eu-repo/semantics/openAccess | es_ES |
| dc.title | Schelling y la música | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.identifier.doi | 10.15581/009.29.29783 | es_ES |
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