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dc.creatorRowell, L. (Lewis)es_ES
dc.date.accessioned2005-02-14T17:50:04Zes_ES
dc.date.accessioned2007-03-08T16:35:19Z-
dc.date.available2005-02-14T17:50:04Zes_ES
dc.date.available2007-03-08T16:35:19Z-
dc.date.issued1996es_ES
dc.identifier.citationAnuario Filosófico, 1996 (29), 125-168es_ES
dc.identifier.issn0066-5215es_ES
dc.identifier.urihttps://hdl.handle.net/10171/507-
dc.description.abstractTime in romantic philosophies of music.- Romanticism, as an intellectual movement, presupposes a new vision, one which we are still living off. This paper makes a critique of time in the music of the period, and in musical thought of the period (taking for granted that the music and the thought are eseentially related). In this context, the question is raised, what conception of time is to be found in the philosophers of the nineteenth and twentieth centuries? This leads on to a study of time in music and in musical theory, especially in those of the nineteenth centuries.es_ES
dc.format.extent137847 byteses_ES
dc.format.extent137847 bytes-
dc.format.extent97482 bytes-
dc.format.extent1892 bytes-
dc.format.mimetypeapplication/mswordes_ES
dc.format.mimetypeapplication/octet-stream-
dc.format.mimetypeapplication/pdf-
dc.format.mimetypetext/plain-
dc.language.isospaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.titleEl tiempo en las filosofías románticas de la músicaes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.identifier.doi10.15581/009.29.29789es_ES

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