Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Samper, E. (Edgard) | |
dc.date.accessioned | 2009-12-17T16:02:50Z | - |
dc.date.available | 2009-12-17T16:02:50Z | - |
dc.date.issued | 2003 | - |
dc.identifier.citation | 19.1 (2003): 109-118 | es_ES |
dc.identifier.issn | 0213-2370 | - |
dc.identifier.uri | https://hdl.handle.net/10171/5363 | - |
dc.description.abstract | Se trata de comprender cómo, para Bécquer, a través de las Rimas I, IV y V, el yo poemático percibe el mundo circundante. A partir de esa soledad primordial, esa intimidad con la naturaleza y el cosmos, es necesario traducir, en poema, esos fragmentos ínfimos de la materia poética incomprensible. Ello sólo puede concretarse con la aparición de la mujer y el amor. La poesía de Bécquer es profundamente ontológica y, en ella, encontramos huellas de neoplatonismo y panteísmo. We try to describe the ways by which in Bécquer Rimas (I, IV y V) the poetical “I” perceives the world; to understand why it is necessary from that original solitude, that intimacy with nature and cosmos, to translate those very little pieces of that incomprehensible poetical matter; that it, solely, can be realized itself with the presence of woman and love. Bécquer’s poetical works are actually ontological; we can find in them many traces of neoplatonism and panteism. | es_ES |
dc.language.iso | spa | es_ES |
dc.publisher | Servicio de Publicaciones Universidad de Navarra | es_ES |
dc.rights | info:eu-repo/semantics/openAccess | es_ES |
dc.subject | Bécquer | es_ES |
dc.subject | Metaphysics | es_ES |
dc.subject | Rimas | - |
dc.subject | Poemático | - |
dc.subject | Creación | - |
dc.subject | Metafísica | - |
dc.subject | Rimes | - |
dc.subject | Poetical “I” | - |
dc.subject | Creation | - |
dc.title | Poesía, poeta y poema en tres "Rimas" de Gustavo Adolfo Bécquer ("Rimas" I, IV, y V) | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.identifier.doi | 10.15581/008.19.26724 | es_ES |
Files in This Item:
Statistics and impact
Items in Dadun are protected by copyright, with all rights reserved, unless otherwise indicated.