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dc.creatorGarcía-Martínez, A.N. (Alberto Nahum)
dc.date.accessioned2010-01-11T15:44:35Z-
dc.date.available2010-01-11T15:44:35Z-
dc.date.issued2009-
dc.identifier.citationRevista Latina de Comunicación Sociales_ES
dc.identifier.issn1138-5820-
dc.identifier.urihttp://hdl.handle.net/10171/5594-
dc.description.abstractThis article examines how, coming from different aesthetic and generic directions, a representative portion of Anglosaxon television series build up their stories by means of breaking –at different levels– the illusionist mirror that characterizes traditional fiction. In this way, they are –implicitly or explicitly– reflecting on the conventions of Realism. The article begins by exposing some theoretical issues about the concept of metafiction. Featuring examples collected since 2001, there follows cartographic research into all the possibilities that metafictional tv-series can harbor: a manipulative narrator, the juxtaposition of diegetical worlds, television as thematic seed for innovative stories, the hybrid game of self-consciousness and, lastly, the direct appeal to the audience’s attention as the major reflective device used by contemporary anglosaxon television series up to now.es_ES
dc.language.isospaes_ES
dc.publisherUniversidad de La Lagunaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectMaterias Investigacion::Ciencias Socialeses_ES
dc.subjectMaterias Investigacion::Comunicaciónes_ES
dc.titleEl espejo roto: la metaficción en las series anglosajonases_ES
dc.title.alternativeThe broken mirror. Metafiction in anglosaxon tv serieses_ES
dc.typeinfo:eu-repo/semantics/articlees_ES

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