Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.creator | García-Martínez, A.N. (Alberto Nahum) | |
| dc.date.accessioned | 2010-01-11T15:57:09Z | - |
| dc.date.available | 2010-01-11T15:57:09Z | - |
| dc.date.issued | 2006-12 | - |
| dc.identifier.citation | Communication-&-Society | es_ES |
| dc.identifier.issn | 0214-0039 | - |
| dc.identifier.uri | https://hdl.handle.net/10171/5596 | - |
| dc.description.abstract | This article examines the key features –historical, rethorical and related to genre– that characterizes one kind of audiovisual text with scarce cinematographic tradition. The film-essay proposes a personal and nonsystematic discourse, using different tools: a personal style, a visible editing that privileges the word, or the filmic presence of the author. In this way, the film essayist builds its reflection inside the images, putting forward his/her way of thinking. | es_ES |
| dc.language.iso | spa | es_ES |
| dc.publisher | Servicio de Publicaciones de la Universidad de Navarra | es_ES |
| dc.rights | info:eu-repo/semantics/openAccess | es_ES |
| dc.subject | Materias Investigacion::Comunicación | es_ES |
| dc.subject | Materias Investigacion::Ciencias Sociales | es_ES |
| dc.title | La imagen que piensa. Hacia una definición del ensayo audiovisual | es_ES |
| dc.title.alternative | The Thinking Image. Towards a Definition of the Film- Essay | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
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