Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Romero-Escrivá, R. (Rebeca) | - |
dc.creator | Alcoriza-Vento, J. (Javier) | - |
dc.date.accessioned | 2019-10-09T06:47:52Z | - |
dc.date.available | 2019-10-09T06:47:52Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | Romero-Escrivá, R. (Rebeca); Alcoriza-Vento, J. (Javier). "EXPROPRIATIONS. Literary Confidences between Life and Death". Communication and Society. 32 (4), 2019, 143 - 158 | es |
dc.identifier.issn | 2386-7876 | - |
dc.identifier.uri | https://hdl.handle.net/10171/58279 | - |
dc.description.abstract | This paper proposes the delimitation of a literary territory, or of certain speech acts as a form of expression specifically dissociated from religious and philosophical discourses, and the corresponding adaptation of such acts to the small and big screens. Expropriations, or confidences by characters on the verge of death, are used as a trope to convey this specific idea. They refer to a kind of speech that no longer bears the weight of worldly events, but that does not attempt to ignore the consequences of having been in the world. With this reconceptualization of the term, this article seeks to identify an ethics of the human intensity in three specific sequences: two stories for cinema and television –Visconti’s The Leopard, and the final episode of Brideshead Revisited– and André Gide’s “literary testament,” Et nunc manet in te. | - |
dc.description.abstract | Este ensayo propone acotar un terreno literario, o ciertos actos de habla como forma de expresión específicamente deslindada de lo religioso y lo filosófico, y su correspondiente adaptación en términos visuales a la pequeña y gran pantalla. La expropiación, o confidencia de personajes a las puertas de la muerte, sería el tropo que puede transmitir esa especificidad. Se trata de un tipo de discurso que ya no soporta el peso de los hechos, pero que no trata de eludir las consecuencias de haber estado en el mundo. Con esta reconceptualización del término, el texto busca identificar una ética de la intensidad humana en tres secuencias específicas: dos relatos para el cine y la televisión –El Gatopardo, de Visconti, y el capítulo final de Retorno a Brideshead–, y el “testamento literario” de André Gide, Et nunc manet in te. | - |
dc.language.iso | eng | - |
dc.publisher | Servicio de Publicaciones de la Universidad de Navarra | - |
dc.rights | info:eu-repo/semantics/openAccess | - |
dc.subject | Expropriation | - |
dc.subject | pedagogy of fragments | - |
dc.subject | testamentary speech | - |
dc.subject | death | - |
dc.subject | ethics | - |
dc.subject | film adaptation | - |
dc.subject | film and literature | - |
dc.subject | Expropiación | - |
dc.subject | pedagogía del fragmento | - |
dc.subject | discurso testamentario | - |
dc.subject | muerte | - |
dc.subject | ética | - |
dc.subject | adaptación cinematográfica | - |
dc.subject | cine y literatura | - |
dc.title | EXPROPRIATIONS. Literary Confidences between Life and Death | - |
dc.title.alternative | EXPROPIACIONES. Confidencias literarias entre la vida y la muerte | - |
dc.type | info:eu-repo/semantics/article | - |
dc.identifier.doi | 10.15581/003.32.34362 | - |
dc.identifier.doi | ISSN 2386-7876 | - |
dadun.citation.endingPage | 158 | - |
dadun.citation.number | 4 | - |
dadun.citation.publicationName | Communication and Society | - |
dadun.citation.startingPage | 143 | - |
dadun.citation.volume | 32 | - |
dc.date.updated | 2019-10-09T06:47:53Z | - |
dc.description.version | Peer Reviewed | - |
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