Zaparaín, F. (Fernando)

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    Oteiza y Oíza: el espacio expositivo como percepción temporal
    (Servicio de Publicaciones de la Universidad de Navarra, 2019) Zaparaín, F. (Fernando); Llamazares, P. (Pablo); Ramos, J. (Jorge)
    There are not many examples in the architectural panorama of museums built to house the visual artwork of a single artist. Even less when the artist actively collaborates in the architectural conception of the space that should receive his legacy. This research establishes a relational reading to understand the connections between the way in which Jorge Oteiza (1908-2003) proposes that his sculptures should be exhibited, exemplified in the exhibition montage suggested for his participation in the IV São Paulo Modern Art Biennial in 1957, and the project for the Foundation and Museum in Alzuza, Navarra, the work of his good friend Francisco Javier Sáenz de Oíza (1918-2000). In both cases, the use of time as an instrument for controlling perception will be essential to achieve greater coherence between the museum space and the displayed work.