Abstract
Se trata de clarificar la diversidad, dispersión y disparidad de puntos de vista con que trata Vallejo sus temas preferidos como consecuencia de su personal tensión estilística (el amor, la muerte, el otro) para llegar a una lectura más competente y comprensiva de su poesía. Se concluye que entre tanta variación se puede hablar del hilo conductor constante de su tremenda humanidad y presencia personal. The purpose of this article is to clarify the diversity, dispersion and unevenness of points of view with which Vallejo treats his favorite themes as a consequence of his personal stylistic tension (love, death, the other one) in order to attain a more competent and more comprehensive reading of his poetry. It is concluded that among so many variations we can speak of the constant guideline of his grand humanity and personal presence.