La misoginia quevediana hay que examinarla en el marco de los géneros poéticos y sus convenciones. Los modelos femeninos negativos son una parte del tratamiento que hace Quevedo de la mujer, y corresponden al área de la poesía satírica en tono burlesco. En distintos géneros (poesía moral, religiosa, cortesana, amorosa) hay otros modelos de mujer y ausencia de enfoque misógino. Quevedo’s misogyny should be discussed in the context of poetic genres and its conventions. The negative female models depend on the different perspectives of women in some areas of Quevedo’s poetry. It corresponds to the sphere of satirical burlesque poetry. In other different genres (moral, religious, circumstantial, love poetry), we find more positive models and a lack of misogynist attitude.

Quevedo’s misogyny should be discussed in the context of poetic genres and its conventions. The negative female models depend on the different perspectives of women in some areas of Quevedo’s poetry. It corresponds to the sphere of satirical burlesque poetry. In other different genres (moral, religious, circumstantial, love poetry), we find more positive models and a lack of misogynist attitude.