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REV - Communication & Society - Vol. 31-40 : [377]

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REV - Communication & Society - Volumen 31, N. 1 (2018) [10]

REV - Communication & Society - Volumen 31, N. 2 (2018) [10]

REV - Communication & Society - Volumen 31, N. 3 (2018) [22]

REV - Communication & Society - Volumen 31, N. 4 (2018) [20]

REV - Communication & Society - Volumen 32, N. 1 (2019) [22]

REV - Communication & Society - Volumen 32, N. 2 (2019) [16]

REV - Communication & Society - Volumen 32, N. 3 (2019) [10]

REV - Communication & Society - Volumen 32, N. 4 (2019) [24]

REV - Communication & Society - Volumen 33, N. 1 (2020) [12]

REV - Communication & Society - Volumen 33, N. 2 (2020) [21]

REV - Communication & Society - Volumen 33, N. 3 (2020) [12]

REV - Communication & Society - Volumen 33, N. 4 (2020) [12]

REV - Communication & Society - Volumen 34, N. 1 (2021) [12]

REV - Communication & Society - Volumen 34, N. 2 (2021) [28]

REV - Communication & Society - Volumen 34, N. 3 (2021) [14]

REV - Communication & Society - Volumen 34, N. 4 (2021) [12]

REV - Communication & Society - Volumen 35, N. 1 (2022) [15]

REV - Communication & Society - Volumen 35, N. 2 (2022) [20]

REV - Communication & Society - Volumen 35, N. 3 (2022) [12]

REV - Communication & Society - Volumen 35, N. 4 (2022) [12]

REV - Communication & Society - Volumen 36, N. 1 (2023) [12]

REV - Communication & Society - Volumen 36, N. 2 (2023) [22]

REV - Communication & Society - Volumen 36, N. 3 (2023) [13]

REV - Communication & Society - Volumen 36, N. 4 (2023) [13]

REV - Communication & Society - Volumen 37, N. 1 (2024) [1]

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Old wine in new bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)

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