Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Arranz, C. L. (Cristina L.) | es_ES |
dc.date.accessioned | 2004-12-10T18:09:18Z | es_ES |
dc.date.accessioned | 2007-03-08T16:39:51Z | - |
dc.date.available | 2004-12-10T18:09:18Z | es_ES |
dc.date.available | 2007-03-08T16:39:51Z | - |
dc.date.issued | 2000 | es_ES |
dc.identifier.citation | Anuario Filosófico 2000 (33), 573-582 | es_ES |
dc.identifier.issn | 0066-5215 | es_ES |
dc.identifier.uri | https://hdl.handle.net/10171/451 | - |
dc.description.abstract | The aesthetics reflection can not carry out through the exclusive analysis of the figure produced by the artist, but demands to know the various nature factors that have intervened in the gestation of the work. For the study of the present aesthetics in the work of Michael Angel, results indispensable to know what the medieval philosophy expresses on what is beautiful. Furthermore, Michael Angel was a deep intellectual anxieties man. Therefore, the study of the theories outstanding aesthetics in his era, it could give impulse to his own creativity. | es_ES |
dc.format.extent | 673280 bytes | es_ES |
dc.format.extent | 673280 bytes | - |
dc.format.extent | 38677 bytes | - |
dc.format.extent | 1892 bytes | - |
dc.format.mimetype | application/msword | es_ES |
dc.format.mimetype | application/msword | - |
dc.format.mimetype | application/pdf | - |
dc.format.mimetype | text/plain | - |
dc.language.iso | spa | es_ES |
dc.rights | info:eu-repo/semantics/openAccess | es_ES |
dc.title | La obra artística de Miguel Ángel y su relación con el movimiento neoplatónico del Renacimiento | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.identifier.doi | 10.15581/009.33.29535 | es_ES |
Files in This Item:
Statistics and impact
Items in Dadun are protected by copyright, with all rights reserved, unless otherwise indicated.