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dc.creatorArranz, C. L. (Cristina L.)es_ES
dc.date.accessioned2004-12-10T18:09:18Zes_ES
dc.date.accessioned2007-03-08T16:39:51Z-
dc.date.available2004-12-10T18:09:18Zes_ES
dc.date.available2007-03-08T16:39:51Z-
dc.date.issued2000es_ES
dc.identifier.citationAnuario Filosófico 2000 (33), 573-582es_ES
dc.identifier.issn0066-5215es_ES
dc.identifier.urihttps://hdl.handle.net/10171/451-
dc.description.abstractThe aesthetics reflection can not carry out through the exclusive analysis of the figure produced by the artist, but demands to know the various nature factors that have intervened in the gestation of the work. For the study of the present aesthetics in the work of Michael Angel, results indispensable to know what the medieval philosophy expresses on what is beautiful. Furthermore, Michael Angel was a deep intellectual anxieties man. Therefore, the study of the theories outstanding aesthetics in his era, it could give impulse to his own creativity.es_ES
dc.format.extent673280 byteses_ES
dc.format.extent673280 bytes-
dc.format.extent38677 bytes-
dc.format.extent1892 bytes-
dc.format.mimetypeapplication/mswordes_ES
dc.format.mimetypeapplication/msword-
dc.format.mimetypeapplication/pdf-
dc.format.mimetypetext/plain-
dc.language.isospaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.titleLa obra artística de Miguel Ángel y su relación con el movimiento neoplatónico del Renacimientoes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.identifier.doi10.15581/009.33.29535es_ES

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