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dc.creatorFrías, M.A. (María Antonia)es_ES
dc.date.accessioned2005-05-03T15:44:30Zes_ES
dc.date.accessioned2007-03-08T16:36:50Z-
dc.date.available2005-05-03T15:44:30Zes_ES
dc.date.available2007-03-08T16:36:50Z-
dc.date.issued1993es_ES
dc.identifier.citationAnuario Filosófico, 1993 (26), 573-598es_ES
dc.identifier.issn0066-5215es_ES
dc.identifier.urihttps://hdl.handle.net/10171/675-
dc.description.abstractThe iconographic development of painting and sculpture illustrates the role of woman acknowledged by the Roman Catholic Church in the history of humanity (creation, the fall of Adam and Eve, redemption and sanctification) and in daily life (intellectual, personal, family, and social service) which is heightened in proportion to how explicit the christian message is.es_ES
dc.format.extent66583 byteses_ES
dc.format.extent1892 bytes-
dc.format.extent48480 bytes-
dc.format.mimetypeapplication/mswordes_ES
dc.format.mimetypetext/plain-
dc.format.mimetypeapplication/pdf-
dc.language.isospaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.titleLa mujer en el arte cristiano bajomedieval (ss. XIII-XV)es_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.identifier.doi10.15581/009.26.29905es_ES

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