Labrada, M.A. (María Antonia)2005-02-142007-03-082005-02-142007-03-081996Anuario Filosófico, 1996 (29), 89-1050066-5215https://hdl.handle.net/10171/505The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits.56575 bytes1892 bytes37754 bytesapplication/mswordtext/plainapplication/pdfspainfo:eu-repo/semantics/openAccessinfo:eu-repo/semantics/openAccessinfo:eu-repo/semantics/article10.15581/009.29.29788