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dc.creatorInnerarity, D. (Daniel)es_ES
dc.date.accessioned2005-02-14T17:31:02Zes_ES
dc.date.accessioned2007-03-08T16:35:18Z-
dc.date.available2005-02-14T17:31:02Zes_ES
dc.date.available2007-03-08T16:35:18Z-
dc.date.issued1996es_ES
dc.identifier.citationAnuario Filosófico, 1996 (29), 71-87es_ES
dc.identifier.issn0066-5215es_ES
dc.identifier.urihttps://hdl.handle.net/10171/504-
dc.description.abstractForms of failure in later Beethoven.- In the later style of Beethoven can be seen certain modes of expression which could be understood as a criticism of absolute idealism. The way in which the sonata-form breaks up is what best illustrates the failure of hegemonic subjecti-vity.es_ES
dc.format.extent53820 byteses_ES
dc.format.extent53820 bytes-
dc.format.extent39700 bytes-
dc.format.extent1892 bytes-
dc.format.mimetypeapplication/mswordes_ES
dc.format.mimetypeapplication/octet-stream-
dc.format.mimetypeapplication/pdf-
dc.format.mimetypetext/plain-
dc.language.isospaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.titleFiguras del fracaso en el último Beethovenes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.identifier.doi10.15581/009.29.29787es_ES

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